The Witch's Mirror (1962), directed by Chano Urueta, is a Mexican horror film that has gained a cult following for its blend of supernatural elements, gothic atmosphere, and melodrama. The film is a notable example of Mexican horror cinema from the early 1960s, showcasing Urueta's ability to create a compelling and eerie narrative.

The story revolves around a vengeful witch named Sara, who seeks to protect her goddaughter Elena from her unfaithful husband, Eduardo. Using her mystical powers, Sara consults a magical mirror that reveals Eduardo’s treachery. Despite her efforts to prevent it, Eduardo murders Elena to be with his lover, Deborah.

In the aftermath, Sara’s vengeance intensifies as she uses her powers to resurrect Elena’s spirit to torment Eduardo and his new wife, Deborah. The supernatural revenge plot unfolds within the confines of Eduardo’s mansion, filled with dark corridors, hidden rooms, and an ever-present sense of dread.

The film is marked by its atmospheric cinematography, creating a haunting visual style that enhances the supernatural and gothic elements of the story. The use of practical effects, common in the era, contributes to the eerie and otherworldly ambiance.

The performances are compelling, with Isabela Corona portraying Sara with a mix of malevolence and sorrow, and Armando Calvo delivering a strong performance as the tormented Eduardo. The film’s exploration of themes like betrayal, revenge, and the supernatural gives it a depth that resonates with audiences.

"The Witch's Mirror" stands out for its unique blend of horror and melodrama, with Chano Urueta’s direction creating a film that is both chilling and emotionally engaging. It remains a significant entry in the canon of Mexican horror cinema, reflecting the genre’s ability to intertwine folklore, supernatural elements, and human drama.