"The Shout" (1978), directed by Jerzy Skolimowski, is a British psychological thriller that delves into the realms of surrealism and existential horror. Based on a short story by Robert Graves, the film intertwines reality with the supernatural, creating an unsettling and enigmatic narrative.

The plot centers around a mysterious and magnetic figure, Charles Crossley, played by Alan Bates. Crossley intrudes into the lives of a composer, Anthony Fielding (John Hurt), and his wife, Rachel (Susannah York), in a quiet English village. Claiming to possess mystical powers learned during his time in the Australian Outback, Crossley asserts that he can kill with a supernatural shout of immense power.

As Crossley becomes increasingly ingrained in the couple's lives, his influence and the authenticity of his claims are met with skepticism and fear. The tension escalates as Crossley's presence begins to disrupt the idyllic and mundane life of the Fieldings, leading to a series of bizarre and unsettling events.

Skolimowski's direction is marked by an avant-garde approach, utilizing non-linear storytelling, dreamlike sequences, and an eerie soundscape to evoke a sense of unease and ambiguity. The film's unsettling atmosphere is further enhanced by the haunting score composed by Tony Banks and Mike Rutherford of Genesis, which underscores the psychological tension and otherworldly elements of the narrative.

"The Shout" explores themes of madness, power, and the thin line between reality and illusion. The performances by the lead actors, particularly Alan Bates' portrayal of the enigmatic Crossley, contribute to the film's compelling and mysterious aura.

Overall, "The Shout" is a unique and thought-provoking thriller that challenges conventional narrative structures and delves into the darker aspects of human nature and the supernatural, making it a standout piece in Jerzy Skolimowski's filmography and a cult favorite among fans of psychological horror.